Two “Type 66” (Browning M1917) teams from the wargaming world’s first ever range of WWII Thais. It was my intention to do up the battalion heavy weapons company in one go, but the late arrival of SHQ’s 37mm Bofors meant that these were done first.*
These were originally slated for completion on the heels of the staff officers, but an avalanche of work resulted in their being left to languish in a semi-finished state on the workbench for ages.
Don’t like the basing? Well neither do I! Not only was adding the tufts and clump foliage a right utter pain in the backside, but they ended up ruining the overall look. Basing is definitely a talent all on its own, and I shall henceforth stick to my static grass (I should also point out that some of the greats – Steve Dean, Andrew Taylor, and Kevin Dallimore – similarly eschew such extravagance).
One more reason I’m not too particularly chuffed with these is the fact that whilst Matt is a highly talented sculptor, the machine gunner is light years away from his usual (i.e. high) standards.
Note the unseemly short legs (the deformed shoes on the right figure is a miscast I noticed too late) . But as is the case with the Adrian helmet, when viewed from the side the defect is less glaring.
Well there you have it. Next up are a pair of battalion guns, to be followed by a bunch of tanks and the rest of the infantry. I’m saving the heavy artillery and trucks for last.
*While the Shell Hole Scenics version I first received is a beautiful little kit, I wanted a more curved gun shield and so ended up ordering another from SHQ.
Elhiem’s Thai higher-ups are absolutely stunning sculpts that effectively capture the debonair hauteur inherent to staff officers the world over.
The wargaming world’s first ever release of WWII Thais in any scale (yay!). Alas, my skills as a painter are far too inadequate to do Matt’s sculpting justice! You’ll note that in my haste to get these photographed I paid scant attention to the lighting.
Now I’ve always been a believer in the phrase “credit where credit’s due” and as such would like to mention those who’ve inspired me throughout the years: thanks to Matthew Hingley of Elhiem fame I discovered the 3-layer method of painting way before the “Kevin Dallimore” system became in vogue, while Steve over at the SOGG alerted me to the existence of ‘Cayman Green’ in the Vallejo Game Colour range, thereby putting an end to my extended hunt for a suitable green. The webbing was shamelessly copied from Dominic Goh‘s site. Finally there’s the insanely talented Chevalier de la Tierre, whose incredible painting guides not only taught me about the Non-Metallic Metal way of painting, er, metal, but also showed me the usefulness of VMC US Olive Drab, a colour I had hitherto ignored.
So that’s one company (in RF! terms, that is) done! Countless more to do! Stay tuned for more additions to the force.
I’ve been a long-time admirer of Paul Hicks’ terrific sculpting, but have always put off buying his figures because of my aversion to painting anything larger than 20mm. Until now.
When I read that Pontoonier Miniatures offers a Third Burma War range through Newline Designs I immediately looked into it, and to my wallet’s horror discovered pictures of them on the latter’s website. It’s been two weeks since and I’ve just finished painting my first 28mm figure in years.
I’m quite happy with the results, even though the helmet does need a highlight. I might also try some lighter tones that match the illustration below.
As far as I can tell the figures are generally accurate, although some of them are wearing belts, which according to a contemporary observer the Burmese most certainly did not have. This is somewhat contradicted by a plate reproduced in Ian Heath’s Foundry book, which features a turbaned infantryman with a white crossbelt. More confusingly the figures also have ammunition pouches, which appear no where in the illustrations I’ve so far seen (I must admit to finding this slightly irritating as I have no idea what colour to paint it).
And if that isn’t enough, one report notes that Burmese regulars wore uniforms of different colours depending on their individual preferences, while another states that the tunics were all red. I have opted to copy the Rick Scollins plate from Ian Knight’s Queen Victoria’s Enemies (4).
I’ve always had a soft spot for that particularly book, one of the very first Ospreys my father bought me as a kid (and in Venice of all places!). Believe it or not, this is probably the best explanation I can come up with for suddenly deciding to delve into the period.